crimes of the future is the kind of label you can trust, no matter who is at the controls. the same could be said for giallo disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the italo age. vercetti technicolor is one half of the giallo team alongside antoni maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in b-movie brilliance. -golden taurus- is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while -topaz fear- brings a more action-driven sequence into the mix. -death wish- too opts for a pumped up club scenario, while heinrich dressel smokes out -golden taurus- into a seedy slow-jam.

meatbean presents release kick off signed by valeria croft, russian producer now based on helsinki.ep delivers two original tracks and one summer vibe re-edit. minimalistic percussions perfectly playing together with bass and melody on it s background.envelopes with it s floating,deep and dark mood and groovy kick off make this ep thoroughly enjoyable.

brianna price aka b.traits, launches her new record label venture, in.toto, with a self-produced two track single, still point/north shore. in.toto, to mean as a whole, altogether, unity, will focus not only on her own productions and releases, but also provide a platform for up and coming artists, and those producers already championed in her dj sets and hugely loved bbc radio 1 show, by way of new material and compilation albums. the label will be backed by bespoke events and club nights, enabling the artists and the sound of in.toto to reach far and wide. on the labels inaugural release, brianna sets the tone perfectly with still point. gnarly, rasping bass punctures the gentle piano riff and ethereal synth pads as this club ready track blossoms into life, the assured and driving drums never letting the energy drop for one second. on the flip side of the limited edition, purple 12inch vinyl release, north shore opens with warm idm pulses and tones, grandiose strings and vocal refrains create a huge sound that takes its unexpected breakbeat twist, reminiscent of british rave heroes orbital, whilst holding its own with its fresh and bright production.

the eleventh release on romb is a wild yet beautiful mini compilation, combining detroit and chicago vibes with uk breakbeats and a dash of melancholic electronica: a generous ep with dj friendly tracks that will also work perfectly at home. the a-side starts off with a detroit flavored acid house groover by new artist almost automatic, followed by solarity, a stormy, break-ridden dance stepper with an epic feel. on the flipside sean dixon, well-known from releases on clone and rawax as well as his own final chapter imprint, delivers a clean-cut italo infused chicago house gem. the ep ends with a beautiful, melodic down-tempo synth journey by daniel savio. all in all a diverse and playful ep with old-school vibes, yet with fresh twists and turns. limited to 200 copies only, this is a gem not to be missed.

folie a deux is releasing their first vinyl ep on hamburg based home label tach & nacht! this stunning 4 track ep consists out of 2 original tracks and 2 strong remixes from andrea ljekaj and malbetrieb. the journey starts with “pulse”, a track full of ambient sounds and dark beats sounding like the night. continuing with“axon”, a deep story containing a wide range of emotions, which are expressed by complex and dark melodies. on the b side we come across andrea ljekaj’s “pulse remix” which takes you on an intense groove with wide strings representing sun rays breaking through pulse’s dark night. in the end maltrieb does the job by ending the journey with a perfectly balanced track. bringing the atmosphere back to a positive and chill vibe. each track is a different chapter of a story called pulse ep by folie a deux.

jimi jules has a small but perfectly formed discography. equinox on zukunft is his debut album, and sees him successfully expand his musical repertoire beyond the club-ready deep house he s known for. thanks to the use of musicians - drummers, guitarists and such-like - there s a loose, warm and quietly soulful feel throughout.

new york experimentalists sheik n beik continue on form as they follow up records from japans keita sano, legowelt & xosar and jeffrey scott with a bold and atmospheric 12inch from jerry riggs & maxwell church a.k.a hermans. hailing from toronto - hermans specialise in their own brand of esoteric techno that lends them perfectly to a release on sheik n beik. their things change ep slots neatly into the catalogue with its blend of spooky melodies and analogue drum work. diana (how youve changed) kicks things off with an infectious vocal loop and juddering drum patterns. brooklyn’s max pask then follows up with his take on diana which sets 909 drums over a thick, burning acid line. endless toil then follows up with a tightly wound groove built with metallic whacks and frazzled, flexing synth tones. forget the past then brings the package to a thumping close as manic synth lines dart between crunching drums in another strong addition to sheik n beiks catalogue.

our fourth and also last release for 2016 is coming from john dimas. john is hailing from greece but is living in berlin at present. we have been following his productions for quite a while now and we are happy that we finally got him on board for our label. this ep contains three different tracks showing perfectly the versatility of johns productions and also at the same his skills of always adding that special dimas touch to his tracks.

pre-population 50201 v2 encompasses dubspeeka s unparalleled status as underground music artist and in turn the fitting foreshadows his second ep on his own imprint skeleton. perfectly easing listeners through a chilling listening experience fused together by a crisp yet disported drum rhythm, this forthcoming ep and his album are yet a further presentation of dubspeekas stature in the spectrum of underground music.

with day out of days, scratch massive has made a modern electronic album, perfectly at ease with the influence of pop, as a way to revisit and reexamine its clichés, its stylistic effects, and the hungry nostalgia for the 1980s.

favorite recordings and charles maurice finally follows-up to their french disco boogie sounds compilation with a second volume!! pursuing his fine work at digging rare music from around the world, dj and collector charles maurice presents another brilliant selection of great music linked to france and french west-indies: 12 hidden and forgotten titles, all produced between 1978 and 1985, whether in france, or by french artists abroad. this time again, he perfectly browse and defines the great energy and quality of this specific disco/funk scene at that time, both in the underground market, or through bigger labels.

efdemin & rndm are back with a brandnew 12inch release featuring three enormous lost tracks dedicated to all the wonderful clubs around the world from beijing to buenos aires. two solo tunes that perfectly draw the trademark sound of rndm & efdemin with a twist of weirdness plus one rare appearance of their collaboration project pigon will make this fall sound like a hot dance under the full moon.

opening cut acido setting the tone perfectly via murky broken rhythms and glitched out bass hits before the latter stages introduce a squelching 303 lead which tails out the rest of the record.what follows and takes a more robust approach rhythmically with a weighty kick drum, shuffling congas and choppy hats lying at the forefront while spiralling bass hits and vocal chops meander around them. opening the flip is nasty(or nylo if there is no way to fix name) which draws on an earth shattering sub bass lead, sparse percussive shots and a subtly bubbling synth stabs.lastly the package is closed with nylo(or koi if there is no way to fix name), an intricately programmed energy fuelled workout featuring reversed bass swells, jazz tinged rhodes melodies and crunchy distorted drums.

yoruba records is proud to present this new album by label veterans nomumbah. hailing from sao paulo, this three piece consists of andré torquato, ale reis and rafael moraes. with this release, nomumbah show a great deal of maturity, a mark often only surpassed with the release of a sophomore album. the track ‘words’ will strike a familiar chord with listeners, its clever use of maya angelou’s reading of her timeless ‘still i rise’ fits perfectly over the top of a deep bass and bongo driven groove. ‘meinhaus’ is another beautifully crafted track, one that seemingly pays tribute to chicago’s earliest fathers of deep house while still keeping a certain swing that will set it apart on dance floors today. ‘precious’, a definite future favourite, features a cutting lead synth that adds warmth to the track and is accompanied by crystal clear hi-hat bursts and a simple, yet captivating, vocal. this album’s title track, ‘amanha’, edges on tech house with stripped down percussion, a simple rolling bass line and a pulsing lead synth, perfect for setting a more chilled-out vibe. a deep and at times techy release, djs will find all 10 tracks well suited for the late night into early morning hours. featuring rhythmic, chunky bass lines, ambient keys and radiant backing vocals this soon-to-be yoruba classic is a must have for your kit bag in 2016

few can fail to have noticed the re-emergence of italian deep house in recent times. tracks paying tribute to the dreamy, loved-up and new age-influenced style pioneered by italian producers in the late 80s and early 90s are ten-a-penny these days, though few are quite as breezy and evocative as this ep from minimono. the fact that it s appearing on re-born rome label vibraphone - dormant since 1993, but brought back to life late last year - is rather fitting. the duo s dreamy, melodious and tactile style - see the fluttering synthesized flute lines and tactile grooves of -sailing-, the horizontal house bliss of -suspend-, and the ron trent style slickness of -next step- - is perfectly in keeping with the label s wavy, sun-kissed ethos.

micro house and minimal funk madness on the forthcoming nervmusic. perfectly balanced double 12 inch with hamid in the main role. 5 original tracks framed by two incredible remixes of craig richards and g76. spooky waves, fragmented funk sessions and heavy drums for the dancefloors.

for the next instalment of our series, we are proud to present the first re-works we have in plan for the acclaimed glacial album, hotel costes, and our first curator is dutch maestro, ion ludwig. 3 ultra sleek re-works, deeply mystified and haunting, perfectly exemplifying ion s magic touch.

having presented focused artist releases since the beginning, dissonant is proud to present its first ‘various artists ep. supporting new talent alongside well-established figures, this collection of tracks throws some exciting new names into the label. marc antona makes a welcome return with the thrilling spirit track, lord of combines. his refined drum science is carefully arranged with immersive organic textures creating a rising energy while maintaining the voluptuous appeal of the rhythm. jayro shows up a fearless imagination and serious studio maturity, psicodelica lives up to its name with all kinds of head-spinning sound effects whirling around a playful, snaking drumbeat. david gtronic makes his debut in dissonant with ‘rana where his sonic identity, builtup with organic textures and melodies, stands out in a perfect combination of subtle dub elements alongside strong rhythmic flow. counrad come across with the hypnotic rhythm of ‘the human centipede where the club oriented groove stretches out with restraint and increasing tension, blossoming outbreak energy engaged this alluring tech house trip. all four tracks have their own distinct qualities, but combined on one release, they reflect the vibe of the label perfectly.

located between absentminded fantasizing and alert awareness the release of blackfoxmusic arises out of the hands of tagträumer² with an obvious regionally derivation: pankow! the berlin based producer and vinyl aficionado who travels the world only with his record bag since the year one, returns after his guest appearance on the debut vinyl of the imprint and presents three irresistible tracks. not less melodic than driving, to flood the dance floor with energy and warmth. acker records label-daddy mollono.bass grabs his buddy marc vogler and contributes a remix á la bonne heure that rounds off the record perfectly.

arnold jarvis take some time out was first released in 1987, the year that fourth floor records was born, and it stands the test of time as a seminal release for the label. the track perfectly characterises the stand out productions that keep the house music world returning again and again to its catalogue for inspiration. this official vinyl re-issue includes the club and dub that made up the original release, plus a reconstruction mix by ilija rudman. ilija delighted classic music company earlier this year with his minimal take on disco in track in her eyes. his approach to the take some time out re-work has the same deconstructed vibe the loose percussion and punchy melodic bass gives a pleasing spaciousness to the track, giving the record fresh life and re-imagining it for 2016

the debut full ep from the diamond sublimating duo might catch you off guard. a record that is earthy and dark yet somewhat ethereal, this 002 for the new label comes in steaming. recorded by the hungarian duo on csepel island of budapest, -the heat is on- grinds and swirls through expertly crafted blends of house, techno and breakbeat to deliver a body of work that will suit dancefloors at the same time as solo introspection. remixes from london’s altered natives and budapest native mate tollner slot in perfectly, each providing their respective take on the homegrown soundscaping that is diamond sublimating. the heat is on!

population 50201 v1 encompasses dubspeeka s unparalleled status as underground music artist and in turn the fitting foreshadows his second ep on his own imprint skeleton. perfectly easing listeners through a chilling listening experience fused together by a crisp yet disported drum rhythm, this forthcoming ep and his album are yet a further presentation of dubspeeka s stature in the spectrum of underground music.

mr zanders returns with the second release on his own newly minted label the debut gained plenty of support, in all the right places, and further established this exciting new producer as a dependable go to for forward-thinking club jams ripley s voyage opens things up here, a beautifully crafted, sumptuously deep & gently evolving workout that fuses live and machine elements perfectly for a truly absorbing ride on the flip dexter s morning is an az slam dunk, as irresistible hooks get worked into a rock solid sample house joint that is a guaranteed floor piece. another sureshot

most excellent unlimiteds series of 45s celebrating the 45th year of danny krivits career continues with a blast of two heavyweight cuts that, to borrow the parlance of the era from which they came, are bonafide sure shots. wood, brass & steels *funkanova* a jazz-funk masterpiece and loft classic that was liberally sampled in the house world (black science orchestra, terrence parker, the bucketheads), is pared down to its most joyous elements. from the intro, a typical krivit maestros detail of an opening bass slide prefacing hands-in-the-air cascades of iconic horns and keys, to the echo of the last notes, its a perfect edit immaculately tailored for dj usage. the flip delves deeper into new york city dance history with a rough and rugged beat- down of a proto-disco, b-boy classic: boobie knight & the universal ladys * sex*. displaying his usual knack of going straight for the jugular, krivit takes the songs siren-call-to-the-dance floor horn riff as his starting point, peeling off another layer to the floor-shaking bass and drums before bringing it all back to the top with a perfectly placed drum roll that will have flash disciples fiending for doubles. solidifying this blazing double-sider is the fact that neither of these essential cuts has ever appeared in seven-inch form. another most excellent unlimited sure shot!

insane hyper hybrid combo of wave/house/techno by murray cy of glasgow. the cy stands for -contort yourself- the label he runs which bridges the gaps between lost sounds of the past and contemprary noise makers, this ep displaying the producers take on the sound perfectly. all four tracks move in their own way from mid-tempo heaviness to more peak time fare. this is the rough back alley stuff you ve been warned about!

a name on everyone s lips, charismatic talent waff is back onboard hot creations curating the sick pleasure ep with three original cuts that once again showcase his unique style and adept understanding of the dancefloor. kicking things off with kidney punch, a throbbing bass is perfectly executed under blissful, angelic vocals. party starter flipback is next up igniting carnival-esque energy. on the flip, the sonic sick pleasure carries the mind away through hypnotic melodies that ride amongst the layers of intricate percussion. a natural born talent, waff started producing over ten years ago and has gone on to become one of the most sought after artists of recent times. not only is he an integral part of the hot creations family and resident at jamies paradise night at dc10 in ibiza, hes also releasing on the likes of moon harbour, drumcode and cocoon. his music has also been getting the nod from key players adam beyer, loco dice, joseph capriati, marco carola, sven vath and many more

continuing his recent techno run on the dancefloor, deetrons rhythmic prowess and analogue textures are formed perfectly on this endless ep.

jonas friedlich, better known through mistress recordings and carl gari, releases his first solo 12- on molten moods. the versatile 4 track ep starts with the rather straight -bo s breakfast- that begins with a polyrhythmic 303 bass line leading into a catchy garage-ish chorus, kicking in out of a clear sky but fittingly. -bus driver- is a wicked trip, the combination of the long acid build up and a nicely chopped vocal bit is irresistible. a proven, tested (and molten moods certified) club banger, regardless of its rather untypical breakbeat. track number 3 called -praise your name- aces groove through perfectly cut vocal samples and a fancy reference to 90s hip hop and drum n bass aesthetics. the next and last piece on the record is the eponymous -deskjet-, which is inspired by friedlichs conceptual sound art installations using printers. here rather restrained synthie lines are underpinned by a powerful kick and psychedelic tape delay noises. the 12- vinyl is handstamped on both sides. mastered and cut by scape mastering. artwork by paul bernhard.

dds prise another absolute gem from japan’s shinichi atobe, presenting 6-tracks of original, previously unreleased material recorded some time in the last 20 years in saitama, japan which perfectly complements the sublime ambient house zen of his butterfly effect album.

after his feature on oxias unity ep earlier this year, mannheims own steffen deux is finally back on 8bit with a brand new double tracker, exclusively remixed by tech house don curatero. fountain of youth ep is made for the club and will make all speakers pump: the original mix hooks with a subby rolling bass and fat drums, tightly arranged & perfectly coordinated. peachick is a laidback groove, striving from disorted fx and fading spheres - this tool is ready to fit the set almost anytime. curateros more forward fountain remix rounds the package to a timeless ep for djs and dancers alike.

the best records have a story, they form part of a journey, different characters emerge and the good music always rises to the fore. in the case of the latest record from scottish producer jack eye jones and the legendary junior sanchez this is certainly true. cocaine blues is a step into the unknown in some respects but in another way, it s a record that seems to fit in perfectly with todays electronic music landscape.

electric pressure is an athen s(greece) based label founded in 2015. the debut vinyl release features 3 hardware centered, acidic techno oriented tracks from worker/ parasite and a remix from clouds. worker/ parasite is an oakland, ca based artist, much known for his stomping acidic hardware productions. clouds tip in with a heavily sampled remix, balancing perfectly between techno and noise.

minimood continues with a deep piece of heady minimal from esteem german producer sascha dive with a mesmerizing remix by celebrated dutch producer ion ludwig. the after the storm ep is released on vinyl only. after the storm is ten sumptuous minutes of moody and atmospheric deep minimal house with warbling synths, meandering drums and spooky, spaced out atmospheres. the drums roll on free from any friction and the pads are delicate, elegant affairs that circle round you and leave you hanging in a wide open space. vocals sounds like those from a spaceship s pa and lend the whole thing a sense that you are voyaging through the galaxies. it is a truly burrowing track that gets right into your mind, body and soul. ion ludwig s remix is quicker and more synthetic, with waify pads, gently breaking waves and fizzing little modular synth lines that are crisp and rhythmic and will fit perfectly into a set by the likes of ricardo villalobos. this is classy and subtle music that is stripped back and slow burning yet has a huge impact.

quintessentials is very happy to present their 50th release! to celebrate this, we invited some buddies to bring the deep beats. and damn they did! mat chiavaroli, one of your main artists who is getting stronger and stronger, opens this jubilee release with upbuilding powerful tune, just the tune the get quintessentials 50 started! great to see profilic dutch producer nachtbraker (heist, quartet series) on the label too. we love his style and he will soon be as popular as ajax amsterdam! his subtle and dirty “bronco” fits in perfectly. the definitive club tune that grooves and grooves and grooves comes from ponty mython (dirt crew). alexandr is a cool guy and this is defo a cool tune. last but not least is soul of hex (freerange, vicario). our mexican friend is going very raw this time. yes, why not call it electronic body music (remember?)! as we are gentlemen, we added a quintessentials sticker in the vinyl edition. go and get it!

californiabased producer damon bell could not find a more suitable home for his new 12inch than croatian label burek. its his first one since blues for the libyan lp released in 2015. for deepblak, and it sounds as if the time off was well spent. two words that perfectly describe this record are rich and colourful, and the description is equally applicable to all three cuts. stand by me is a synthheavy piece built around the interplay between tracks rougher sounds and big lush pads. on the flipside, life is slightly faster and more direct, with a wonderful guitar part that circles around the main theme throughout the most of the track. similarly mannered, but slightly more intense transatlantic journey? we been here! is the last piece and features an infectious groove with lead synth piercing through layers of delicate arpeggios playing in the background. all in all, it feels good to have damon in the team. we hope youll enjoy this record

seth troxlers play it say it label looks to sean miller for its next essential bit of dance floor dynamite. this 11th firing release on the label features two killer cuts from the canadian producer. miller has been turning out taste making tracks on a consistent basis for a decade now. releasing on mobilee, area remote and ovum he is no stranger to the best labels out there and this latest missive is another offering that will keep djs and dancers happy all summer long and beyond. the momentous a side ‘tiger spirit it’ is ten tantalising minutes of deep and seductive house music. clever drum fills, poised synth stabs and vocal coos all add oil to the groove as playful kicks punch out an infectious pattern below. this is proving to be one of key tracks in seth’s tracks this summer: ‘it’s driving the crowds wild’. ‘together’ is less physical but certainly more emotional offering. playing out perfectly effortlessly, it has swirling pads and trilling chords adding some sensuous summer sunshine to the vibe fuelled house drums below. troxler has once again unearthed a brilliant release from a talented producer right at the top of his game.

nice price deal !!! meteorythm recordings is back with a new file, mf002 geometry of the mind ep by imprint’s co-founder, clearvision. to start, the a side about uncertainty (and unity)’ leaves you doubtful, in a disoriented feeling of expectation. perfect to start your set or a personal journey inward, this ambient track allows you to create your own thinking pattern about what will follow. the a2 ‘geometry of the mind,’ an atmospheric and melancholic track, conveys clearvision’s thought processes by playing with floating pads on deep bass frequencies. on the b side, ‘wave function’ is the logical continuation of the two last tracks, concentrating on rhythm in order to be more focused on the body than the mind. to conclude, the berlin based duet arcarsenal followed suit, evolving ‘wave function to another level of groove by adding a beautiful percussions harmony to a perfectly rearranged production. after developing their musical personality on imprints such as underground quality, finest hour, rue de plaisance, finale session and of course their own bass cadet records, the duo perfectly found how to combine their own style with the space atmosphere that surrounds meteorythm.

-when two of the most exciting young labels today join forces to breath new life into a classic king britt production there’s not much that could go wrong. oba funke’s -uzoamaka- might have 14 years on its back but it blends in perfectly with nowadays red

fideles is the joint moniker of italian duo daniele aprile and mario roberti, who have carved out a niche for their distinctive brand of deep, techy house on noted labels such as defected, be as one, and marco resmann’s upon you, among others. here on their first outing for poker flat recordings, the duo cook up four courses of lean, focussed tech-house for steve bug’s seminal imprint. ‘detuned’ starts the journey - an edgy, tense groove exhibiting the boy’s masterful sound design and use of space to create a thick, intoxicated atmosphere. ‘i’m rude’ is more direct - a thumping bass drum introduces a low slung bass groove, slowly evolving and mutating into a true party-starter. ‘worthy’ uses similar building blocks but delivers a different vibe altogether, revelling in a minimalist production aesthetic and cheeky bass riff. ‘ran baran’, the title track, is another lesson in great production - each element perfectly balanced to create an atmosphere of controlled mayhem - which is exactly the response this entire ep aims to instigate on dancefloors.

nice price deal !!! on insist musics new release he presents a collaboration with swiss djane and producer angelica fravi. these two good friends offer up a pair of brilliantly house tracks: tanzania and koh samui - presented on side b of insist 002. in both tracks soulful voice matches beats and synths perfectly, taking the dancefloors to a higher level. the second track in side b, koh samui takes a more understated, melancholic turn, counterbalancing the ecstatic nature and especially the even more ecstatic interpretation.

serie limitee records is celebrating its 3rd anniversary with its 8th release on its parent label. a good occasion to welcome pascal viscardi, a promising swiss talent supported by mike huckaby, who signs here his first track using the legendary sp1200...and that s a groovy one. also, first release ever for sixon, sean dixon s alter ego, the manager of final chapter delivers here a sexy hypnotic bomb. already featured on sl007, it s the second release on serie limitee for neuronphase. it seems like winter has been rude in estonia, which is good for us, as it gave the artist more time to produce some deep n raw music which perfectly fits the label. and to close this ep, a beautiful track produced by japanese producer tominori hosoya, aka tomi chair. a pure pearl of deepness which takes the listener to an imaginary dancefloor on a desert sand beach until the early morning. as always, expect a mysterious bonus track by the label s manager, monsieur cedric.

nice price deal !!! one half of the prolific hoxton whores, kevin andrew delivers a no nonsense slice of heads down house, perfectly tweaked to add a real edge to the dancefloor. stabby synths and a low slung bassline are the main features, whilst the track bubbles along with recognizable hooky riffs and enough breakdowns to make any discerning house crowd rock! danish hotshot, and one man remix machine, kid massive joins the party on the flip adding in a tougher constructed percussive feel whilst chopping up the groove.

played by neuman (maddisco edits), maciek sienkiewicz
after his last year debut on fasrat das komplex is on fire - after eps for young adults and pets recordings here he is again with a brand new 12- showing his versatility and ability to seamlessly blend multiple genres. all tracks on -pudding- show clearly his dub and reggae influences applied to a light as a feather deep house rhythm frame, subtly infused with cosmic stylings and some synthpop nostalgia. at the same time, solid grooves carry das komplex trademark melodic hooks - resulting in proper heads music that would work perfectly on any dancefloor - and any radio alike. -pudding- sounds like a perfect teaser for polish producer s debut artist album - due later this year on fasrat.

nice price deal !!! superb new project feat great talents from two excellent labels battling it out on one piece of vinyl techments vortechtral delivering a very strong original sampling the chemicals block rockin beats vocal over a driving slab of club techno. audionauticas gray takes it further, clickier beats, big analogue stab very nicely done. flip for brazilian big gun elton d on the case, funkier, spacier, wicked. mixtape head honcho gus brown delivers the final mix taking a broken beat approach, different, excellent, rounding things off perfectly

nice price deal !!! ever since the original mix appeared on the miami sampler, it gained full support across the board. both filthy rich and james fitch are no strangers to the label. james fitch of course being one half of the infamous prok & fitch duo and responsible for smoking releases, such as the new wave and salome de bahia. the last one also being remixed by filthy rich, whos releases have gained a lot of attention over the past few years. the rich & fitch team turned out a quirky, funky electro club killer, perfectly blending their two unique sounds. incl. original mix, accapella tool. johnstar remix, gabriel & castellon remix. supported by axwell, alex gaudino, muzzaik, funkerman, rene amez, cube guys, roger sanchez, laidback luke, jesse garcia, dj chus, atfc, mark knight,....

nice price deal !!! finest deep minimal stripped down techno !! with the third upcoming release renovatio continues the research of a new techno sound, moving out from sardinia to a rising and talented producer based in milan: naph delivers us a clean and energic ep in 3 tracks, perfectly following the line marked by the label with the previous releases... dj support by dj karotte, gregor tresher, laurent garnier, santi xpansul, christofer bleckmann / niederflur, sascha krohn, tim xavier, prudo / alfa romero, renato figoli, andrea ferlin

killer 12inch! free synths, driving rhythms, perfectly suited for those breezy summer nights spent dancing! following the success of their debut record, maurice jnr and roy rozell are joined by fellow sugarhouse records founders, seb miguel and jamie paul, for this triple aaa 3-track as paradise forum. original artwork by alistair hanson and photography by rob low

timmy ps latest outing on dessous recordings continues the long list of illustrious labels that have been home to his house vision. now based in london, timmy has a string of emphatic releases under his belt, not least on influential imprints such as local talk, extended play, dirt crew and madtech. with safety first, timmys playful approach to the deeper side of house shines though. the title track mixes crisp, crunchy drums with warm, soft pads and a bubbling bass line - a deep rolling cut with plenty of punch for the floor. the fantastically named grim fandango is a little tougher, with the snares and claps snapping tightly over a taut, un-resistible vibe. timmys balance of dynamics is masterful, each element perfectly complimenting each other to create a tour de force over 8 minutes. bosh is similarly crafted - the original echoing classic 90s house but feeling completely fresh for 2016, while james dexters remix is a robust, deep roller. this is house music made with joy and passion.

limited edition of 300 copies, hand numbered.
“danse ep” is the first extended play of the german band bleib modern whom have surprised last year with one the best cold wave albums of the european scene, “all is fair in love and war”. 4 tracks have been remixed / re recorded specially with a “danse” approach for this magical release. the evocative guitar lines among crude but very seductive vocals plus an excellent production transports the listener immediately to an altered state of mind. the sound of the band can be perfectly compared to any of the all time big names of the cold wave and post punk.